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LEE, the directorial feature from award-winning Cinematographer Ellen Kuras, portrays a pivotal decade in the life of American war correspondent and photographer, Lee Miller (Kate Winslett). Miller’s singular talent and unbridled tenacity resulted in some of the 20th century's most indelible images of war, including an iconic photo of Miller herself, posing defiantly in Hitler's private bathtub. Miller had a profound understanding and empathy for women and the voiceless victims of war. Her images display both the fragility and ferocity of the human experience. Above all, the film shows how Miller lived her life at full throttle in pursuit of truth, for which she paid a huge personal price, forcing her to confront a traumatic and deeply buried secret from her childhood.

In the dark horror film BAGMAN, a family finds themselves ensnared in a nightmare as they are hunted by a malevolent, mythical creature. For centuries and across cultures, parents have warned their children of the legendary Bagman, who snatches innocent children and stuffs them into his vile, rotting bag—never to be seen again. Patrick McKee (Sam Claflin) narrowly escaped such an encounter as a boy, which left him with lasting scars throughout his adulthood. Now, Patrick’s childhood tormentor has returned, threatening the safety of his wife Karina (Antonia Thomas) and son Jake (Caréll Rhoden).

From the best-selling author of Wonder, the book that sparked a movement to “choose kind,” comes the inspirational next chapter. In White Bird: A Wonder Story, we follow Julian (Bryce Gheisar), who has struggled to belong ever since he was expelled from his former school for his treatment of Auggie Pullman. To transform his life, Julian’s grandmother (Helen Mirren) finally reveals to Julian her own story of courage — during her youth in Nazi-occupied France, a boy shelters her from mortal danger. They find first love in a stunning, magical world of their own creation, while the boy’s mother (Gillian Anderson) risks everything to keep her safe.